














CREDITS
CONCEPT, DIRECTION AND CHOREOGRAPHY
Jasmin Vardimon MBE
CREATED WITH & PERFORMED BY
Evie Hart, Sean Moss, Hobie Schouppe, Juliette Tellier, Donny Beau Ferris, Risa Maki & Oliver Rumaizen / Andre Rebelo
SET DESIGN
Guy Bar-Amotz & Jasmin Vardimon MBE
Lighting & Projection Design
Andrew Crofts
Costume Design
Teresa Pocas
Video Content
Guy Bar-Amotz & Jasmin Vardimon MBE
Animation
Michael Klega
Sound Design
Jasmin Vardimon MBE
Sound Advisor
Joel Cahen
Music Credits
Alessandro Alessandroni, Caleb Arredondo, Richard Carter, Donato Dozzy, Sophia Medina & Alex Kilroy, Einstürzende Neubauten, Shida Shahabi, Nikki Nair & DJ ADHD, Ichiko Aoba, Lily Chou-Chou, The Haxan Cloak, Nigel Kennedy & English Chamber Orchestra, Jack Leopards & The Dolphin Club, Margaret Leng Tan, Castanets, Dom La Nena, Nora Fisher & Marnix Dorrestein, jung jaeil & Jung Eun Hye & Budapest Scoring Orchestra and Choir
Dramaturgy
Guy Bar-Amotz
Rehearsal Director
Andre Rebelo
Assistant to the Artistic Director
Luke Burrough
Assistant Producer & Tour Booker
Agata Olszewska
Production Manager
Harry Vella-Thompson
Campaign Photography
Ben Harries
Lx Programmer
Matt Carnazza
Production Photography
Tristram Kenton
Graphic Design
Donovan Graphics
Length
85 minutes
Thanks to
Lumos Lighting Group
CO-COMMISSION BY
Gulbenkian Arts Centre/ iCCi, Sadler’s Wells & Kent County Council
ARTICLES & REVIEWS
The Guardian / 11 September 2024
'A new creation by the acclaimed choreographer revisits moments from the repertoire of her company, formed a quarter of a century ago. '
Read moreBritish Theatre Guide / 08 February 2025
'Striking, playful and endlessly inventive.
Always offering originality and fun, this is a dazzling mix that keeps you guessing—and smiling.
Don’t miss out on this stunning, energising work.'
Stagey Lady / 09 February 2025
'With clever, inspired use of projection and the simplest of props, the show exploits illusions, stimulates the imagination, and at the same time demonstrates the physical versatility and acrobatic agility of these dancers.
The theatrical illusions are genius in their simplicity.
We can interpret how we see Vardimon’s ever-changing socio-political dynamics. Or we can switch off and simply admire, marvel at, the artistic virtuosity of these dancers.'
Seeing Dance / 11 February 2025
'Group sequences mesmerise with collective movement that faces audience head on and never finds its end, legs undulating, arms snaking and flowing in the alluring flourishes characteristic to Vardimon.'
Read more